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Study Background

This study serves three purposes. The first is as my primary dissertation research. Since starting graduate school I have had an interest in exploring the connection science centers have to providing phenomenon-based experiences. I am interested in this from several angles: 1) that of a learning theorist – What is the relationship between learning and physically experiencing something? 2) from a socio-political standpoint – How and why did the idea that science learning is best done through physical, open-ended exploration arise, proliferate, take the shape it takes in the Exploratorium? 3) from a phenomenological stance – how is it that such experiences yield meaning for different people? This study is also part of a larger project Molly Loomis and Rod Ogawa have been involved in for a couple of years that seeks to construct a conceptual and empirical bridge that links the immediate contexts where learning occurs (i.e. the exhibit floor) to their organizational settings. Our previous years work have been largely devoted to understanding the organizational setting of the Exploratorium through an institutional history, while this current work, seeks to detail the immediate contexts where learning occurs.

The "We have small children" point

As I'm going through the first third of my interviews I am carefully writing a narrative of my thoughts as I read the families' responses to my interview questions.  Most of the questions I asked in the interviews were aimed at getting the families to talk about why it is that they think they drew what they did.  In families with young children (I'd say 6 and under) it is more likely than not that they will carefully explain to me that the museum is 'done' differently by parents with younger children. This explanation comes up quite a bit.  What interests me is why? 

Are people making an excuse for what they perceive to be a less-than-fabulous drawing?  If so, they obviously don't have any problems feeling justified in making that excuse, but they DO feel like it is necessary to let me know.  Does this imply that they think they have something to be embarrassed about?  Do they feel like they should be doing complex, sciency things with their time at the science museum and are explaining to me why their drawings don't reflect this?  If so, there is something in that.  Something that speaks to a subtext in the museum beyond leisure. 




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Mapping the Institutionalization of the Exploratorium

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